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» A better way of approach»
» The CES 2005
» Why Horn loaded systems?!
» The “Primary Frequencies»
» Okada’s installation.
» Best streaming service 2»
» Tuuubes - where are the »
» Upperbass horns – tone v»
» The Studio AU projects.
» TOA monster sized compre»
» Prokofiev
» The “guest musician opin»
» Memories of audio elemen»
» Interview with Daniel We»
» Compression drivers saga
» About the tweeters phase»
» The invisible sound barr»
» BBC: Composer of the Wee»
» Educate yourself WHY you»
» Problems with horns: mid»
» Education vs Magic
» Mysterious Russian Tromb»
» Who has best sound in Hi»
» Listening playback with »
» FMFool – a truly useful »
» The great Corus performa»
» Additive capacitance: mi»
» 250 watts Parallel S.E. »
» Gospel, pop, jazz and co»
» Professional sound syste»
» Trading cable elevators »
» About the ownership of a»
» The "mystery&am»
» Anybody building or usin»
» Bill Gaw: over 50 years »
» Eighteen Sound ND1460A c»
» Does Reference Recording»
» The Extraordinary Harvar»
Bookmarked are red
Haenssler Classic
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Max Robinson’s “Fun With»
Jogis Röhrenbude's Site
Linkwitz's "Laboratory"
GedLee loudspeakers
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Ward Marston's "Marston"»
Subito-Cantabile
Great Hong Kong Blog
Tahra Records
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Thinking about Bruckner harmonies. 5175 
Pain. 4909 
Scary 4870 
Scary Bruckner? 4870 
Reactions to the 9th 4870 
Sound vs. meaning? 4870 
No "meaning" in music 4870 
Bruckner 4870 
Differences in listening 4870 
My Bruckner? 4870 
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