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» Single-stage Melquiades »
» Minusk: a new Vibraplan?
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» Gershwin's Rhapsody in B»
» JBL 2226 2445 2405 3-way»
» Capturing live internet »
» Someone is DSETing, it s»
» "It" Thread
» The today’s take on Rach»
» Thinking about Bruckner »
» Smetana's Piano Trio
» More or less pleasure: w»
» Compression drivers saga
» “Tool” for Morons ™: Bla»
» A[nother] Cautionary Tal»
» About the pre-warming of»
» Tonearm Alignment Method
» A great conductor - but »
» Soprano Sally Matthews.
» DeCompressor - Puncher P»
» Rejection of non-natural»
» The tales of two phonost»
» The experiments with rem»
» New Horn Speaker Manufac»
» You Can Play the Record,»
» What TRULY high-audio p»
» BW Broadcast RBRX Encore»
» Horn length/expansion/gr»
» Musicians' ear
» The ultimate worst best »
» Polish Autotech steps up»
» I'm omnivorous... am I i»
» Preamp/linestage recomme»
» Transition : Driver to t»
» Günter Wand Intervi»
» Measuring reality: empir»
» Berlioz Requiem / Pavaro»
» Submerging deeper into A»
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