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» High-End Audio. The thir»
» Stands for Super Melquia»
» Saying goodbye to the di»
» The IDEAL horn system
» Soprano Sally Matthews.
» Macondo + Milq… very nic»
» FMFool – a truly useful »
» Kloss 5-way horns setup.
» How do you position your»
» Steve Leung, Cartridge W»
» The “Melquiades” Sound -»
» Could someone recommend »
» It was seventy years ago»
» It is possible to elimin»
» Got new mid/high horns. »
» The new G.I.P speakers.
» A Very Nice "Eroica»
» Wanted Vitavox S2 Origin»
» Dennis Colin's Sound Str»
» Mysterious Russian Tromb»
» SET and speakers: disreg»
» Hmmm... the sad truth ab»
» Lithuania enters the gam»
» The ultimate buffer – li»
» Okada’s installation.
» Shostakovich‘s "Suite on»
» Pure Audio Blu-ray.
» Van den Hul famous FAQ c»
» My old Fi-Hi gear associ»
» Lavardin discovery
» Opera “Boris Godunov”
» Horn high-sensitively ar»
» The Absolute Sound of Au»
» About digital files and »
» Thomas Mayer’s Triamp
» Some horn writing by Tho»
» Neumann Dummy Head.
» Bass drivers inquiry
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Radiotron Designers Hand»
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My playback’s sound vs. Live sound. 5924 
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Canary in the Coal Mine 4881 
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Massed of strings. 4879 
String sound 4879 
The texture of the strings. 4878 
String bite 4876 
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