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» How to evaluate playback»
» Is better than Kinetic S»
» God bless WDR Symphony O»
» Weber’s "Andante e »
» The "mystery&am»
» Munich High End 2011
» Horn speaker with dipole»
» Mini A7
» Stephen Hartkel, the goo»
» Small SET’s bass, beside»
» Dennis Colin's Sound Str»
» Fantasies about 10Y
» Tidal’s Music Streaming »
» Bad, bad, bad 1812 Overt»
» Audio vs. Musical pitch
» Melquiades: too early fo»
» Midbass injection channel
» The exaggerated boots un»
» Bach and Rain
» About the (secret) rules»
» Avid Listener --- Stereo»
» How audio started….
» The Abington Something =»
» Dvorak Cello Concerto in»
» Brahms 4th Symphony in i»
» Null-set dipole butterfl»
» Walter conducting Vienna»
» The Shielding Condoms on»
» The best album of 2005 s»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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Schmid, Erich (1 January 1»
Arronte, Aitor (17 Decembe»
My Audio Leftovers
SME M2 - 12" Tonearm wi»
Vitavox S2/S3 diaphragms
Koetsu Onyx Platinum Ca»
Rohde & Schwarz EU-6201»
Conscience of audio rev»
Pacific Microsonics Mod»
Rohde & Schwarz MSDC Mu»
Altec 808A compression »
Musatex’s Bidat Model "»
Electro-Voice T350 twee»
Lamm L2 Reference pream»
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