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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Playback and Perception »
» The CES's 2011 horns
» A stunning contra-Bruckn»
» Horn speaker with dipole»
» Midbass Horns and Real E»
» How to record FM broadca»
» New Barenboim’s Bruckner»
» Sensible record cleaning»
» Magico Model 6 loudspeak»
» How do you position your»
» Open cell foam in horns »
» "Master Quality Aut»
» Some thoughts about Milq»
» Classical Music for the »
» The Berlin Philharmonic »
» A multi-tier audio contr»
» Jean Hiraga’s cooking of»
» Sony Blu-spec CD audio f»
» The pianist Yuja Wang … »
» The new CEC TL1 transpor»
» Should I low pass the mi»
» Lampizator horn
» How to test 6C33C?
» My new “New” listening r»
» The best audio product o»
» The “bread and circus” o»
» Instrumental music vs. o»
» Zander's new Masterclass
» Future of high-end audio
» Sarah Chang last night a»
» Melquiades: too early fo»
» De-stress not decompress»
» An unexplored way to dea»
» “Zarathustra” amplifier:»
» Spivakov, NPoR Orchestra»
» Sound from behind a wind»
» Tanglewood 2010
» Class “D” – the industry»
Bookmarked are red
Scriabin's Sonatas
BuyWell Australia's Clas»
Female Composers Site
Wood Horn Speakers
Tonal tests
Elliott Sound Products
Irvington Music
The Bruckner Discography
Lied and Art Songs
Tuner Information Center
Valves Collection
Ward Marston's "Marston"»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
LF Transformer for 6C33C
Lamm L2 Reference pream»
Mid-range tantrix round»
Altec 808A compression »
Lamm ML-2 Single-Ended »
Micro Seiki RX-5000
Altec 515B bass drivers
Micro-Seiki air-suspend»
Ortofon Mono CG 25 Di c»
Kenwood L-02T FM Tuner
More Leftovers »»