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End of Life Phonostage
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» Floor reflections
» 6E6P-DR in triode mode
» Lavry vs Stahl -Tek
» A new generation of full»
» An air compressor and TT.
» Playing American Music o»
» Always check power-line »
» Staxquiades project
» Audio system: my path to»
» Beware of the monophonic»
» I need some advice and d»
» Some analysis of the Joe»
» Michelin horns
» Trinnov amplitude and im»
» High-End Audio Bass: wha»
» (Hopefully short) headph»
» The remarkable moments i»
» The Sound and How We Hea»
» Beware of "Higher F»
» 3012, 312, M2-12 or ... ?
» Learn to listen your lis»
» Rhapsody for Tape Record»
» Stay home with Bruckner
» New Bamboo Speakers Feed»
» Zeus 6C33C Triode SE Pre»
» Macondo vs. the “industr»
» The BBC program about gr»
» Making of a Steinway.
» Where the FM quality com»
» The Avicenna's failure i»
» A CD player of today… 20»
» Allnic Verito MC Phono C»
» The Free Intent Audio Jo»
» Big mama 1.5" horns»
» Audio Tekne driver align»
» The sound compromises of»
» Conchita Supervia
» Berkeley Audio Design's »
Bookmarked are red
Toccata Classics
ElecroVoice’s Vintage Pr»
Vincent Brient's Sit
Berkshire Record Outlet
Jogis Röhrenbude's Site
Thomas Dunker's Site
Sibelius Academy music l»
Value of Records Tool
Decca Classical discogra»
Olson Acoustical Book
Twogoodears' Blog
Japanese Translator
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Altec 515B bass drivers
Lamm ML-2 Single-Ended »
ESS AMT-1A Heil Air Mot»
Vitavox AK151 15" bass »
Altec 808A compression »
Purist Audio Design Pro»
Korvet “Egg” Tonearm
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Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
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