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» Why I do not love Mahler?
» Loit Eagle Player – the »
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» Munich High End 2011
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» The tales of two phonost»
» 100V vs 120V
» 'Fundamental rich' liste»
» The one-stage Melquiades.
» Available Blenders and S»
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» Acoustic Treatments That»
» Many Mani's options: My »
» The fantastic Lucas Deba»
» Juana Zayas plays Chopin
» Motion Picture Sound
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» Dynamic range in histori»
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» A use of extraordinarily»
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» Boston and Bruckner
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» LF for use with Vitavox »
» Performance of a week.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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cellist lynn harrell has di»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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Reda, Siegfried (27 July 1»
Smit (American), Leo (12 J»
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Coleman, Charles (12 Decem»
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My Audio Leftovers
Vitavox S2 Compression »
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
Micro-Seiki air-suspend»
Altec 515B bass drivers
Mid-range tantrix round»
Lamm L2 Reference pream»
Purist Audio Design Pro»
Fane Studio 8 dual conc»
Vitavox AK151 15" bass »
Micro-Seiki Arm Board
More Leftovers »»