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» Nice pair of S2s on eBay»
» Stands for Super Melquia»
» Bach Cello Suites
» How to USE “Resonating O»
» The ways to delay horns »
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» Small spaces
» How to evaluate playback»
» More about the EdgarHorn»
» The meaning of lowest oc»
» Chicago Lyric Opera on W»
» Andrew's new 4-way horn »
» NAT Audio Magna -160 Wat»
» ULF: where is the border»
» Pono & Meridian - an»
» Remote control - the ult»
» Bach and Rain
» Pikovaya Dama / Queen of»
» High End 2012 in Germany
» Looking for something di»
» Micro seiki SX-8000 Air »
» The last message of audi»
» Macondo: new horizons. A»
» Cooperation for the comm»
» Martin-Logan, Myles Asto»
» Beware of the "dipo»
» The 3 things that audio »
» Practical Guide for Back»
» Yamaha tuners
» The most complicated que»
» Clark Johnsen.
» Kevin Brooks Acoustic Sy»
» Replacing 802 G and 811 »
» Tannoy Red 1960s: some s»
» Does horn surface porosi»
» Engaging the David Haign»
» Measuring reality: empir»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Dunstable, John ( appr. 1»
Ahle, Johann Rudolf (24 De»
Bottesini, Giovanni (24 De»
Worp, Johannes (24 Decembe»
Alnæs, Eyvind (29 Apr»
Berg, Alban (9 February 18»
Cassadó, Gaspar (30 S»
Geoffray, César (20 F»
Wilder, Alec (16 February »
Herrmann, Bernard (29 June»
Kagel, Mauricio (24 Decemb»
van Vlijmen, Jan (11 Octob»
Larsen, Libby (24 December»
Jones, Michael (24 Decembe»
Rothman, Philip (24 Decemb»
Southall, Edward (24 Decem»
My Audio Leftovers
Rohde & Schwarz MSDC Mu»
Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
Vitavox 330Hz Horn for »
Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
Altec 808A compression »
Altec 515B bass drivers
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
Lamm ML-2 Single-Ended »
More Leftovers »»