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» About Omnivorenes of Pla»
» A horrible re-performanc»
» The Audio of 21 century:»
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» HD Radio? Good, bad or u»
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» Single Ended Pentode to »
» The Second stereo arm pr»
» Micro Seiki RX-5000 stat»
» Hans Deutsch active acou»
» Making musical instrumen»
» Julia Fischer in Boston »
» Vitavox S2 with Electrom»
» Any recommendations?... »
» High-End Audio vs. High-»
» To play my 88/24 files o»
» The Daniel Hertz M1 ultr»
» Nice collection of Artic»
» A sort of DPOLs
» Remote control, problems»
» Recording/Playback softw»
» New paradigm - what an &»
» Terminal Velocity? Smart»
» Class “D” – the industry»
» Reality Check system to »
» Rachmaninoff’s Symphony »
» State Symphony of Russia»
» I hate, hate, hate, hate»
» 5 Channel Version of Mel»
» The GoodSoundClub’s ‘Ult»
» Avantgarde method of cap»
» Resonating hi from overs»
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» Digital Volume Control s»
» Sick CEC TL0
» Altec cabinet: 815a
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Vitavox S2 Compression »
Ortofon Mono CG 25 Di c»
Lamm L2 Reference pream»
Rohde & Schwarz MSDC Mu»
Sansui TU-X1 Tuner
Stage Acompany SA8535 d»
SME M2 - 12" Tonearm wi»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Vitavox AK-15/40 15" ba»
Kenwood L-02T FM Tuner
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