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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Why the tubes shall be t»
» The 6E5P tube data.
» Every crowd has a silver»
» Fostex tweeters, Lowther»
» Eventually - a reasonabl»
» Accuracy vs. Musicality »
» The List: Let age public»
» Scientific vs. audio act»
» One of the Best Mozart R»
» EMM Labs hits… the chick»
» Use absolute polarity as»
» Power Supplym for driver»
» Small double bass horn f»
» Custom made woofers.
» Artificial Phases Random»
» Magico: biological minde»
» The WHRB Wagner’s Ring C»
» Preamplifiers: keys to m»
» The Melquiades' "Re»
» Lamm ml2 voltage 110v to»
» Digital recorders: what »
» Montreal audio show phot»
» Fake Vitavox S2 diaphrag»
» Klipsch Jubilee
» I think my Dynavector 10»
» Ravel Piano Concerto No2
» “How audio might sound”
» The decentralization and»
» Rakeshorns
» About beauty and uglines»
» JBL 2490 mid-range driver
» What is the buzz: the V-»
» A synonym of audio revie»
» Boston and Bruckner
» Object-oriented audio re»
» Tanglewood 2010
» The ridicules naming of »
» The ultimate worst best »
Bookmarked are red
Higherfi.com
Takashi Asahina Group
Bruce Edgar's Edgarhorn »
WGBH's “Keeping Score”
Art Songs and Librettos
The Victor Victrola Page
Martha Argerich Site
Classical Recordings New»
Norman Lebrecht's blog
WHRB Radio Station
MetManiac Opera Archive
ElecroVoice’s Vintage Pr»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
Lamm Industries M1.1 Mo»
Electro-Voice T350 twee»
Pacific Microsonics Mod»
Tribute Output Amorphou»
Vitavox 330Hz Horn for »
REL Precedent 646C tuner
Koetsu Onyx Platinum Ca»
SME M2 - 12" Tonearm wi»
ESS AMT-1A Heil Air Mot»
CEC TL-0 MK2 transport
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