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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Tree motors from one sid»
» Macondo’s Midbass Projec»
» DA architecture: True M»
» How to build the best au»
» Belcea Quartet
» Think ahead how to measu»
» Long time due: Digital P»
» Single-stage Melquiades »
» Schroder Tonearms
» Mendelssohn, Cello Sonat»
» The last phonocorrector:»
» My playback: what is nex»
» RIAA pole two = 501,12 Hz
» Inner Groove Distortion »
» How we "think"»
» Dennis Colin's Sound Str»
» Horn loaded ribbons and »
» Natalia Gutman (!) in Bo»
» The Multicells HF Horns.
» The New York Philharmoni»
» Inside views of "me»
» Melquiades: too early fo»
» Show Report PiS Fest
» The 'Beethoven Test' of »
» Altec Model 19 in Boston.
» Joël Durand Intervi»
» Back chamber
» Satellite radio
» The real goals of sound »
» Best recording I heard i»
» To play my 88/24 files o»
» Macondo’s lowest channel.
» Musicians' ear
» Haniwa Cybernetic Audio »
» Coconut
» Chesky's violin concerto
» A datacenter at home and»
» The Herbert von Karajan’»
Bookmarked are red
Jogis Röhrenbude's Site
Arbiter Records
The Tape Project
Input Choke Calculator
AudioTools
Perer Gulmann's Classica»
Wolds Opera Broadcasts
Graeme's Speaker DIY Pag»
Input Choke & Resonant C»
Daniels Audio
Hickok Maintenance
Boom's Dungeon
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki MAX-282 To»
Rohde & Schwarz EU-6201»
Tribute Output Amorphou»
Musatex’s Bidat Model "»
Lamm Industries M1.1 Mo»
Altec 515B bass drivers
“Tree Blind Mice” colle»
Ortofon Mono CG 25 Di c»
Lamm ML-2 Single-Ended »
Vitavox S2 Compression »
CEC TL-0 MK2 transport
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