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» Hi from Melbourne, Austr»
» Crossover or non-crossov»
» Devid Berning amplifiers»
» "It" Thread
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» Midrange driver suggesti»
» Sometimes surface noise »
» We who are about to die.»
» Tweeter for Vitavox S2. »
» How to record FM broadca»
» About HF Binaurallism
» Thoughs about “My Playba»
» Panel with Peter Qvortru»
» Constructing LF modules »
» Why GOTO do not care abo»
» Garg wants more horns.
» My subject of envy to au»
» A new kid in the block: »
» 5 way system in the UK
» Celebrating Anton Bruckn»
» Tolga Kashif's “The Quee»
» The DHOFT topology? Do n»
» The Dvorák’s Tone P»
» Bruckner 3rd
» A dive to Auro 3D
» About Wilson Audio Louds»
» About beauty and uglines»
» Open cell foam in horns »
» The 68 dipoles imitation»
» An unexplored way to dea»
» The Studio AU projects.
» Interested in reading mo»
» Phono stages with SU-1
» An Interview With Dr. Br»
» The Krell’s cursed Sound»
» Hemp SR plug and listeni»
» New Lynx A/D and D/A pro»
» Nothing Is Perfect
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Austria's Musical Exiles
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm L2 Reference pream»
Purist Audio Design Pro»
Micro-Seiki air-suspend»
Micro-Seiki Arm Board
Micro Seiki RX-5000
Koetsu Onyx Platinum Ca»
“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
Kenwood L-02T FM Tuner
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Fane Studio 8 dual conc»
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