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» Interview with Daniel We»
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» High End Audio and music»
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» Altec Model 19 in Boston.
» Bach Piano Concertos, 1,»
» The Truly High-End Ampli»
» Making LPs; What Goes In»
» Fake Vitavox S2 diaphrag»
» Macondo Horns: biography.
» 5-ways from Speedysteve7
» JBL 2490 mid-range driver
» European Triode Festival»
» Kitties go to London
» Dukane 5A540 Compression»
» A Scratched Horn.
» Non-classical genius (st»
» A Cardboard Effect.
» Sensible record cleaning»
» The silence after coda
» New Lynx A/D and D/A pro»
» Rohde & Schwarz EU-6»
» If you’re multiamping th»
» It's might be anothe»
» JBL 2226 2445 2405 3-way»
» Devid Berning amplifiers»
» RIP Oscar Peterson
» How do you position your»
» Corner Speakers for a ne»
» 100V vs 120V
» About the undeveloped au»
» Summer Refreshment; the »
» If you've never heard th»
» Furtwangler War Years Re»
» The new “little things” »
» The realty of UHF and LF»
» Multiple Tracks, Each On»
Bookmarked are red
Glenn Gould Audio Archiv»
NPR's SymphonyCast
Jammin' Jersey
Hughs Ominous Tubes
RAAL ribbons
Lenard's Opals monitor
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FM Radio Query
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Ortofon Mono CG 25 Di c»
Lamm ML-2 Single-Ended »
Micro-Seiki MAX-282 To»
Micro Seiki RX-5000
Kenwood L-02T FM Tuner
ESS AMT-1A Heil Air Mot»
Korvet “Egg” Tonearm
Electro-Voice T350 twee»
Vitavox 330Hz Horn for »
Purist Audio Design Pro»
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