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» Upperbass horns – tone v»
» Live vs. Recorded transc»
» An Afternoon with Gary K»
» The Mercury "Rigole»
» Furtwangler War Years Re»
» Floor reflections
» Monophonic bass: myth an»
» Festival “Son & Imag»
» The Studio AU projects.
» Antenna diversity system»
» “Harmonic Speed”- friend»
» Audio industry metaphor
» New audiophile download »
» The wonder of Ayre Acous»
» The state of High-Effici»
» An idea of Individual Re»
» Stunning Resurrection in»
» Mahler VI - Barbirolli w»
» We don’t necessarily kno»
» Driver Alignment, and Wh»
» Trash your “full-rage”, »
» The Free Intent Audio Jo»
» About the undeveloped au»
» Time alignment of drivers
» Asyncronus USB
» The Silence of the Lamms!
» A quest for a better mon»
» Yamaha 6681B
» The Herbert von Karajan’»
» Bruckner 9, Transcriptio»
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» An amplifier for Tweeters
» The tapped horns: cons, »
» There is nothing subject»
» Dunlavy SC++ loudspeaker»
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33+45=78
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Kenwood L-02T FM Tuner
REL Precedent 646C tuner
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
Hillock TV-2 tube tester
Altec 515B bass drivers
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