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» Problems with horns: upp»
» Beautiful Mahler Lieder
» Time Alignment : Live Pe»
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» Do not reproduce extreme»
» Compression drivers saga
» Reading an official audi»
» Reference Recordings “di»
» The Trout - Perlman, Ba»
» MBS Platinum ADC
» ... and some Bruckner bu»
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» Drama vs. Chic
» Nothing to read.
» Maria Callas’s Glory Day»
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» Always check power-line »
» Tonearms criterias??
» Instrumental music vs. o»
» Compression Drivers -in »
» The ridicules naming of »
» Dreams about Audio
» Idea of a 3way horn syst»
» 6C41C – the journey to n»
» The Truly High-End Ampli»
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» Mystery Horn ? ? ? anyon»
» BD-Design’s Orelino
» A contemporary AD1 Triod»
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» Hypex for ULF?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Galindo Dimas, Blas (3 Feb»
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Pickenhayn, Jorge Oscar (3»
Goeyvaerts, Karel (8 June »
Schat, Peter (5 June 1935-»
Greven, Gert-Jan (3 Februa»
My Audio Leftovers
SME M2 - 12" Tonearm wi»
Tribute Output Amorphou»
Rohde & Schwarz EU-6201»
Vitavox 330Hz Horn for »
Micro Seiki RX-5000
Koetsu Onyx Platinum Ca»
Mid-range tantrix round»
Purist Audio Design Pro»
Vitavox S2/S3 diaphragms
Micro-Seiki MAX-282 To»
Musatex’s Bidat Model "»
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