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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The stunning “The Magic »
» How to play Mahler 7 at »
» Audiophiles are Happy or»
» Reality Check system to »
» Reading an official audi»
» Shostakovich‘s "Suite on»
» Yo-yo Ma live on the int»
» To Rip or not to Rip.
» Not new, but VERY intere»
» The Yevgeny Mravinsky Fi»
» RIAA pole two = 501,12 Hz
» Kalinnikov’s First Symph»
» Festival “Son & Imag»
» Schroder Tonearms
» My old Fi-Hi gear associ»
» 3012, 312, M2-12 or ... ?
» High-End Audio as going »
» About the undeveloped au»
» Dynamic viscose stabiliz»
» Revisiting DSP
» An idea of “Rain Wake-Up»
» Some thoughts about Milq»
» Acoustic Treatments That»
» Jaap van Zweden kicks as»
» Tolga Kashif's “The Quee»
» Online Music Store in Eu»
» OK, digitechs, why won't»
» Understanding Line Array»
» The 'Beethoven Test' of »
» What is better then Wagn»
» 6E6P-DR in triode mode
» Rudolf Barshai conducts »
» New show in US, some new»
» VTL TL-7.5 Reference: Hi»
» Martin-Logan, Myles Asto»
» Prokofiev Classical Symp»
» Sansui TU-X1 Broadcast m»
» Ultimate HF output trans»
Bookmarked are red
Ward Marston's "Marston"»
Wood Horn Speakers
Willem Mengelberg discog»
AudioTools
Orchestra of the Age of »
Tin Lee Electronics
Soviet Composers
Duntech Audio loudspeake»
Appian Publications & Re»
Decca Classical discogra»
Scriabin's Sonatas
Lenard's Opals monitor
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Kenwood L-02T FM Tuner
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Vitavox S2/S3 diaphragms
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CEC TL-0 MK2 transport
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