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» The unintended consequen»
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» Samuel Feinberg's Well-T»
» Puccini: Tosca
» The Ralf Stegmueller’s h»
» Shaky tubes, echo testing
» Here's what's REALLY wro»
» Listening rooms and comp»
» Film in Boston: "An»
» Bruckner, me and the Sev»
» Transition : Driver to t»
» Small double bass horn f»
» Analogue to digital conv»
» Micro Seiki SX777 Air Re»
» Better DAW by a “second”»
» MillionDollarStereos.com
» The tales of two phonost»
» The Trout - Perlman, Ba»
» Horn length/expansion/gr»
» My current conductor obs»
» Wilsons, EMM, Ozawa, Sa»
» Custom enclosure?
» Moscode, Morecode, Moron»
» Furtwangler War Years Re»
» "Consensus in audio»
» A quest for a better mon»
» Things to look out for w»
» A great production of th»
» Some Horns propaganda
» A full-range driver = C»
» Russian cello festival
» Flac 16bit/48Khz streami»
» Steinway and Lyngdorf lo»
» Digital Equalization
» Looking for something di»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
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