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End of Life Phonostage
Audio Demoronizator AD-1
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» Tonearm Alignment Method
» A ridicules speaker cable
» New paradigm - what an &»
» A right midbass solution»
» SF audio gurus?
» The decentralization and»
» Making musical instrumen»
» Macondo’s MiniMe or abou»
» Horn length/expansion/gr»
» In interesting new compa»
» An idea of “Rain Wake-Up»
» Dedicated horn loaded mi»
» What to do in England?
» Superbly interesting eff»
» Something that a loudspe»
» RIP Oscar Peterson
» My trip to the Stereophi»
» Orchestra of 32 Loudspea»
» Plugin for drawing segme»
» Who the hell is this int»
» What is it all about? De»
» Ultimate MF compression »
» Van den Hul famous FAQ c»
» Orphean horns / BMS driv»
» Ravel's String Quartet; »
» The evenings with Greate»
» Do not touch that used t»
» Reallocation of efforts:»
» Audio industry metaphor
» More 6E5P-6C33C amps.
» Jonathan Valin shell be »
» If I start High-End Audi»
» Experience Music Horn In»
» Horn speaker with dipole»
» Micro Seiki Armboards: I»
» Denon 103: myths and the»
» James Levine takes a gre»
» Fun with transformers?
Bookmarked are red
StateWork Broadcast Reco»
Norman Lebrecht's blog
Tonal tests
Random Classics
Direct Heated Rob
Greg Sando’s Site
Wolds Opera Broadcasts
OboinaThor
FM Radio Query
GEMM catalog
Dr. Bruce Edgar Interview
Opera Collector Guide
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki MAX-282 To»
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Korvet “Egg” Tonearm
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SME M2 - 12" Tonearm wi»
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Micro Seiki RX-5000
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CEC TL-0 MK2 transport
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