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» Tolga Kashif's “The Quee»
» The state of High-Effici»
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» Big mama 1.5" horns»
» Romy the Cat’s Audio Hom»
» What you do when you cat»
» An angry engineer...
» The Lavry Gold DA924 ++
» Vertical Axis Midbass Ho»
» (Whose) classical music.»
» Planning my DSET
» Streophile show 2007 and»
» PS Audio's digital appro»
» The Patrick Flanagan’s N»
» Audio vs. Musical pitch
» A full-range driver = C»
» Whatever they say about »
» Two channels (tweeter an»
» SS Power Amps - the FoxN»
» What is the difference b»
» First order filtration a»
» The Daniel Hertz M1 ultr»
» DC offset for A/D conver»
» Lamm ml2 voltage 110v to»
» Summary: my/your audio: »
» Beethoven PC 5 Surprise »
» The new FM Classical sce»
» “Get Better Sound” by Ji»
» Shock-absorbing tube soc»
» Don’t "use" VTA
» “Zarathustra” amplifier:»
» Looking for different So»
» Shaky tubes, echo testing
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Sansui TU-X1 Tuner
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Tribute Output Amorphou»
Altec 808A compression »
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
Micro-Seiki air-suspend»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
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