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» The Truly High-End Ampli»
» Bach Piano Concertos, 1,»
» It is imposable to “hear»
» The nature of "soun»
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» Is it the time to change»
» Altec Model 19 in Boston.
» If I were a High-End Aud»
» THE Show, Irvine 2018
» Horn for smartphone
» Lampizator horn
» ELROG tubes sinked but s»
» Problems with horns: upp»
» Why the tubes shall be t»
» A very slow monolog abou»
» How to make a playback t»
» Another interesting corr»
» Monophonic bass: myth an»
» If you've never heard th»
» Dream Hi-Eff Speakers fo»
» What to do in office?
» Dual channel SET
» One of the Best Mozart R»
» The Evolution (or Anti-E»
» Tannoy Red or Gold monit»
» What is the buzz: the V-»
» I can't wait to read the»
» Don't position speakers »
» "Master Quality Aut»
» A big room with good aco»
» What, no Mahler?
» What to do in England?
» Chicago Lyric Opera on W»
» Bye-Bye, Fane
» Klipsch Jubilee
» Dvorak Cello Concerto in»
» The low-power SET and de»
» Non-MDF horns
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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