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Site News: 20 Jul 2026
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Class “D” – the industry»
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My current conductor obs»
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Omni-directional 'horny'»
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Magico Model 6 loudspeak»
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Driver Alignment, and Wh»
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Bruckner 8, the document»
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State Symphony of Russia»
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The GoodSoundClub’s ‘Ult»
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Emmerich Kalman (1882-19»
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GoodSoundClub – one year»
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A proper implementation »
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Macondo’s lowest channel.
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Gestalt
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More or less pleasure: w»
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The tapped horns: cons, »
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Reel-to-Reel Tape vs. Ra»
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Capturing live internet »
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Romy Sells Out
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DIY LCR phono
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Horns with contra-profil»
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BWV 582 by a spectacular»
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A primer on high-end mar»
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A better way of approach»
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About DSET-driven multi-»
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Vitavox’s S2 Survival Gu»
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New sample 24/96 downloa»
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Wiring for box speakers?
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Yamaha ns1000m speaker p»
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Crossover or non-crossov»
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A right midbass solution»
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The "new" Shos»
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Big room vs small room
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High-End Audio and ... p»
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The new “little things” »
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Accuracy vs. Musicality »
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Analogue to digital conv»
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An amplifier for Tweeters
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Learning to interpret RTA
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Classical events in Boston
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Composer's Anniversaries
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My Audio Leftovers
ESS AMT-1A Heil Air Mot»
CEC TL-0 MK2 transport
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Musatex-TP Bidat 20-Bi»
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Ortofon Mono CG 25 Di c»
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