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» Kristian Zimerman BBC in»
» Constant directivity = c»
» SME M2-12 tonearm
» Janine Jansen
» Re-set Martha Argerich!
» Spivakov, NPoR Orchestra»
» If you’re multiamping th»
» Thomas Mayer’s Triamp
» Another (outdoorsy) swea»
» EMI rollercoaster across»
» Problems with horns: upp»
» The essence of High-End »
» Beautiful Mahler Lieder
» Playback and Perception »
» Contact-free volume cont»
» Rim drive?
» About digital files and »
» Designing and building a»
» The commercial music ser»
» Splitting XLR into Multi»
» The “Inverted High End A»
» Arranging my records col»
» The Expressive Technolog»
» Upper-Sound of Upper-Imp»
» Appearance of listening »
» Nicolai Golovanov
» Transparent horns
» The best audio product o»
» Truly a new use of high-»
» "SOTA Technology&qu»
» Suggested target curves »
» Some horn writing by Tho»
» Transition : Driver to t»
» Yet another Gould box se»
» Memory Player Box?
» "New" TechDas »
» First Order on Bass chan»
» Problems with horns: mid»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
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“Tree Blind Mice” colle»
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
ESS AMT-1A Heil Air Mot»
Mid-range tantrix round»
Hillock TV-2 tube tester
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Rohde & Schwarz EU-6201»
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