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» Shaky tubes, echo testing
» Hideous American operas.
» Gas voltage reference 0A»
» Some Orchestra on Demand»
» Buying a last cartridge.
» The corrupted listening »
» NOhorn channel for “the »
» Digital Equalization
» Story of my discovery - »
» Magico: Robert Harley’s »
» Thoughs about “My Playba»
» NESPA Optical Disc Final»
» About audio sales and h»
» The inflatable speakers »
» Altec cabinet: 815a
» The Active High Frequenc»
» Rachmaninoff PC 2: Conce»
» Learning to interpret RTA
» Gospel, pop, jazz and co»
» Re-set Martha Argerich!
» Klipsch Jubilee
» Downloadable DSD.
» Try something unusual an»
» Tanglewood's 75th annive»
» Dvorak Cello Concerto in»
» Ever thought about how m»
» Making it sing...
» SS Power Amps - the FoxN»
» First order filtration a»
» If you were to start fro»
» The exaggerated boots un»
» Perception of bass?
» In defense of Mikhail Pl»
» Audio vs. Musical pitch
» Wywires – “Custom” desig»
» The Jeff Day’s Westminst»
» Passive line level cross»
» Eventually I’ve seen a l»
Bookmarked are red
FM Radio Query
The National Valve Museum
Tube World
Boston Philharmonic Orch»
Linkwitz's "Laboratory"
Holger Klein's Soundpage»
Phono EQ
Marston Records
Direct Drive TT
Nornan Lebrecht's blog
High-Tech Hi-Fi
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Musatex-TP Bidat 20-Bi»
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