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» High-End Audio and..... »
» Weiss MAN301 Music Server
» “Why horns”, years later.
» Hans Zenders’ orchestrat»
» The CES's 2011 horns
» More Gieseking!
» I wonder if this crap is»
» If you play a guitar…
» Stop buying the records »
» Attempt of a playback sy»
» A new amplifier from Aud»
» Tuuubes - where are the »
» The LCR RIAA correctors
» Updated view: The Optima»
» LeCleach vs. tratrix and»
» Hideous American operas.
» K-Stereo Ambience Recove»
» Suggestion on my introdu»
» BBC: Composer of the Wee»
» My (Amplification + Acou»
» Sansui TU-X1 Broadcast m»
» Bruckner 3rd
» Celibidache / bruckner
» Lavry D9a26 Power Supply
» The “Primary Frequencies»
» The Hannes Kastner’ Tocc»
» Getting Started with Mya»
» The nature of "soun»
» Conchita Supervia
» DIY multicellular horn
» About “strangeness” of A»
» Inner Groove Distortion »
» A new beast from JBL: Ev»
» A Moscow setup with Horn»
» Macondo copying: Horns t»
» An unexplored way to dea»
» Eventually - a reasonabl»
» Experimental horn
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Tomasi, Henri (17 August 1»
Addinsell, Richard (13 Jan»
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Still, Robert (10 June 191»
Carpenter, Gary (13 Januar»
My Audio Leftovers
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Musatex-TP Bidat 20-Bi»
Rohde & Schwarz MSDC Mu»
Vitavox S2 Compression »
Vitavox AK-15/40 15" ba»
Vitavox 330Hz Horn for »
Altec 515B bass drivers
Conscience of audio rev»
Micro Seiki RX-5000
More Leftovers »»