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» What lives in Symmetric »
» Use absolute polarity as»
» Scientific vs. audio act»
» An angry engineer...
» Beware of the "dipo»
» Open Baffle Speaker Desi»
» NASA Reverberant Acousti»
» About audio hoarding
» The Foolishness of Analo»
» Loudspeakers and headpho»
» About the tweeters phase»
» Label or map it religiou»
» William Kapell legacy an»
» JBL 2446
» The mystery of reversed »
» Baseline measurements an»
» The silence after coda
» Film about Jacqueline du»
» The new G.I.P speakers.
» Horn high-sensitively ar»
» Lower cost horn loaded a»
» SME M2
» A Frankenstein Macondo -»
» My new “New” listening r»
» The "mystery&am»
» Perspective?
» The Thomas Blumenhofer’s»
» Hildegard von Bingen on »
» An Acquired Taste
» Bach and kids…
» LF for use with Vitavox »
» Listening to Music with »
» Riccardo Muti and Chicag»
» Shindo Latour
» Beautiful Mahler Lieder
» How audio started….
» New CubeAudio Tractrix H»
» SET amplifiers
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Vladimir Lamm Site
Radiotron Designers Hand»
Value of Records Tool
Pjay's Speaker building »
Input Choke Calculator
StateWork Broadcast Reco»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Takács Quartet in Gr»
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Vitavox AK-15/40 15" ba»
Vitavox AK151 15" bass »
Stage Acompany SA8535 d»
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
Musatex’s Bidat Model "»
Korvet “Egg” Tonearm
Micro Seiki RX-5000
Conscience of audio rev»
Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
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