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» High-End Audio demo, the»
» The 'Beethoven Test' of »
» The "NEW T.H.E Show»
» An interesting comment, »
» Wide dispersion horns
» The concrete midbass hor»
» Course & guide on ho»
» Macondo – Super Melquiad»
» SET and speakers: disreg»
» Multi-amping crossoverin»
» How idiots destroy sound.
» Maria Callas’s Glory Day»
» High-End Audio and.... &»
» The experiments with rem»
» It is all about hard sur»
» Use absolute polarity as»
» Additive capacitance: mi»
» Tritium Turntables
» Zeus 6C33C Triode SE Pre»
» Always check power-line »
» Appearance of listening »
» About Stupid Dynamic
» Training amplifiers
» Mstislav Rostropovich Di»
» T.H.E. Show, Newport, 20»
» The new “little things” »
» The Hannes Kastner’ Tocc»
» Zander, BPO, George Li a»
» Overlooked Cello Reperto»
» S2 Hissing Sound
» The real goals of sound »
» The exaggerated boots un»
» Small SET’s bass, beside»
» DC offset for A/D conver»
» Buckner and Sun
» Tokyo Opera City Concert»
» FMFool – a truly useful »
» Soundsmith’s analog idea»
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Jong Woo's Site
Sibelius Academy music l»
The Cartridge Database
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The Well Tempered Comput»
Rachmanionoff's links
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Altec 515B bass drivers
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Purist Audio Design Pro»
Vitavox AK151 15" bass »
Rohde & Schwarz MSDC Mu»
Lamm Industries M1.1 Mo»
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Tribute Output Amorphou»
Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
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