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» Happy birthday Johann Se»
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» Performance of a week.
» The best audio source EV»
» Impossibility of commerc»
» The objectives of Einste»
» Bye-bye Studer…
» Lower cost horn loaded a»
» How to insert pictures i»
» Lamm L1 vs. L2 preamp
» Just Hi.. and my audio b»
» The “bread and circus” o»
» Arsenic bacteria & G»
» Vendors’ Egos.
» French Horns/drivers sho»
» MacondoLite
» Vintage JBL products lin»
» Copland/BSO/Copland
» Clean and polish gunmeta»
» Michelin horns
» Anyone Care to Make Odds»
» Ghorbani&Hamdani sin»
» The LCR RIAA correctors
» A tale of two DACs
» How to play Bruckner Sou»
» Yep, Bach would do it….
» A beautiful miller's dau»
» Crossover or non-crossov»
» Eq for 78's
» Should I low pass the mi»
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» Streophile show 2007 and»
» ... again on GOTO Unit d»
» Ravel's String Quartet; »
» The BBC Proms 2009
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Tchaikovsky's Compositio»
Russian Music in 20th Ce»
Professional Audio Calcu»
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Value of Records Tool
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Musatex’s Bidat Model "»
Sansui TU-X1 Tuner
Korvet “Egg” Tonearm
Lamm L2 Reference pream»
Tribute Output Amorphou»
CEC TL-0 MK2 transport
Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
Purist Audio Design Pro»
ESS AMT-1A Heil Air Mot»
REL Precedent 646C tuner
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