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End of Life Phonostage
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» Conductors and Audio Sou»
» Classic Artc Showcase St»
» The “new” ways for initi»
» 2010 Classical Grammy No»
» T.H.E. Show, Newport, 20»
» Macondo – Super Melquiad»
» "Consensus in audio»
» Electricity... power str»
» Assemble it yourself?
» Dannoy and oxytocin...
» Credibility of digital i»
» Flac 16bit/48Khz streami»
» The remarkable moments i»
» The objectives of Einste»
» A longer CD-Rom cable.
» Tweeters: the most misus»
» Andrew's new 4-way horn »
» SME M2-12 tonearm
» Philmundi Story about ho»
» It is about timbres, stu»
» A quote from a Japanese »
» Say “no” to the light to»
» Someone is DSETing, it s»
» About Stupid Dynamic
» Copland/BSO/Copland
» Loudspeaker: Sound repro»
» Tritium Turntables
» Instrumental music vs. o»
» Practicality of paper ma»
» Good small SS amplifier
» I would like to believe »
» Matching audio to music:»
» FM and … cables…
» Any South/Latin American»
» Think Denk and op.106
» Buying cds and records i»
» Some Horns propaganda
» Mr. Kleen Stylus cleaner
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All Tube Testers
Wolds Opera Broadcasts
Lenard's Opals monitor
Delta Entertainment
OboinaThor
Hi-Fi Speakers Design
Vincent Brient's Sit
Orchestra of the Age of »
Opera Collector Guide
Rradiomuseum
Willem Mengelberg discog»
Soviet Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
REL Precedent 646C tuner
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Stage Acompany SA8535 d»
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