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Macondo Acoustic System
End of Life Phonostage
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» 6 Channel Version of Sup»
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» Mysterious Russian Tromb»
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» Liszt’s symphonic poems.
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» Why I do not like the &q»
» How audio started….
» Dialog with Industry Rain
» Getting more from MF cha»
» Should I low pass the mi»
» The DHOFT topology? Do n»
» Practical Guide for Back»
» Resonating hi from overs»
» Ultimate HF output trans»
» Very interesting
» Why the tubes shall be t»
» The Active High Frequenc»
» The 68 dipoles imitation»
» Metropolitan Opera 2009-»
» Any good sounding AES/EB»
» The Evolution (or Anti-E»
» Pacific Microsonics Mode»
» The optimum Sampling Rat»
» About the undeveloped au»
» The industry-embraced au»
» About audio sales and h»
» Bad, bad, bad 1812 Overt»
» The New York Philharmoni»
» Beware of the Arkive Mus»
» A[nother] Cautionary Tal»
» Null-set dipole butterfl»
» Bach and kids…
» High End 2012 in Germany
» Vincent Brient’s playbac»
» JBL LE8
» Lowther Driver
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Classic Artc Showcase
Recording Technology His»
Linkwitz's "Laboratory"
Glenn Gould Audio Archiv»
Vladimir Lamm Site
Female Composers Site
Russian Music in 20th Ce»
Plasma Tweeters Site
Composers Forum
Spinning Dog Records
Koussevitzky & BSO
Classical Recordings New»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
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Tribute Output Amorphou»
LF Transformer for 6C33C
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Vitavox 330Hz Horn for »
Micro-Seiki air-suspend»
Kenwood L-02T FM Tuner
Korvet “Egg” Tonearm
SME M2 - 12" Tonearm wi»
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