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» Recapping RX5000
» The best practices for D»
» A quest for a better mon»
» Small SET’s bass, beside»
» The objectives of Einste»
» Who makes good L-Pads?
» Some Audiogon realty
» Splitting XLR into Multi»
» A stunning Beethoven’s “»
» The contemporary pressin»
» Canadian Speaker Proposal
» Do not pursue full-range»
» Orion Phono Preamplifier
» About speakers Imbedded »
» About DSET-driven multi-»
» Monophonic bass: myth an»
» Micro Seiki Armboards: I»
» A contemporary great CD »
» Conductor Herbert Kegel
» About the thoughtfulness»
» Any South/Latin American»
» 100V vs 120V
» Shall quality-price be r»
» The DSET perspective exa»
» The leather-suspended dr»
» Midbass injection channel
» Wiring for box speakers?
» JBL Project Array
» A quote from a Japanese »
» Shelter 901 on SME 309 t»
» The Classical Music Caf&»
» The Sound assessment rec»
» Electro-Voice T350, T35,»
» Audio-tekne's "Tone»
» Non-MDF horns
» Very in depth considerat»
» The last message of audi»
» Custom enclosure?
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Carlos Kleiber List
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Phono EQ
Polish GM70 Poject
Wolds Opera Broadcasts
Retro hi-fi blog
Berkshire Record Outlet
Dr. Bruce Edgar Interview
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki MAX-282 To»
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Conscience of audio rev»
Micro-Seiki Arm Board
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