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» A response to David Hurv»
» Hi-Fi Mini Systems
» The "artificially&q»
» Why the tubes shall be t»
» Macondo’s MiniMe or abou»
» What drives good sound?
» Wiener Philharmoniker r»
» Tuners and digital noise»
» Audio Quality Matters in»
» Conductors and Audio Sou»
» Recommendation Bruckner »
» I think about War lately.
» Miniumum sample rate for»
» There is Bruckner and th»
» The Eduardo Chibas and B»
» Digital Volume Control s»
» Lavry D9a26 Power Supply
» Matching audio to music:»
» 3 way Tractrix Horn Buil»
» Why Horn loaded systems?!
» The GoodSoundClub’s ‘Ult»
» A different breed of 6C3»
» Absolutely the best audi»
» CD horn and JBL: Crossov»
» Bruckner 8 in Washington»
» The foolishness of multi»
» "Appeal to the Grea»
» World's Finest Sounding »
» Boston and Bruckner
» MBS Platinum ADC
» Entry level DSET Melq?
» HD Radio? Good, bad or u»
» My new favorite "Ne»
» Saying goodbye to the di»
» Bruckner at 24bit.
» DRU Tube for Melq’s HF c»
» Danley's optimised paral»
» What is High-End Audio, »
Bookmarked are red
JPC CD Store
Michelangeli Site
Appian Publications & Re»
Musical Musings
American Broadcasting
Solid State Electronics
Irvington Music
RAAL ribbons
Random Classics
MetManiac Opera Archive
Altec divers/horns
ClassicalNet
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Ortofon Mono CG 25 Di c»
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Musatex-TP Bidat 20-Bi»
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Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
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Micro Seiki RX-5000
Purist Audio Design Pro»
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Pacific Microsonics Mod»
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