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» Bias help
» To drive the 6C33C...
» Audio-tekne's "Tone»
» Strings reinforced sound»
» Brahms' Magelone Songs
» The concrete midbass hor»
» Musicians' ear
» Tonearms criterias??
» The Melquiades bass chan»
» 45Hz Bass Horn
» MacondoLite
» Remote control - the ult»
» SCAM! Horn - Academy Phi»
» Push pull compound compr»
» LLoyd Walker Never Rests
» To move audio equipment »
» How to organize files wi»
» Opera “Boris Godunov”
» Music in the Sound: a mo»
» A new strange but predic»
» Balanchine’s “Pathetique”
» How difficult is it to a»
» Speaker Building
» To hear Haydn for a firs»
» Horn Enclosures & &q»
» Benjamin Grosvenor is co»
» Micro Seiki, tonearm,car»
» Top Recordings of All Ti»
» The “bread and circus” o»
» Okada’s installation.
» Haliaetus: Dick Cheney’s»
» Smetana's Piano Trio
» The 500-megawatt FM stat»
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» About my listening habit»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Lully, Jean-Baptiste (28 N»
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Brian, William Havergal (2»
Knaifel, Alexander (28 Nov»
My Audio Leftovers
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
Fane Studio 8 dual conc»
REL Precedent 646C tuner
Altec 808A compression »
Rohde & Schwarz EU-6201»
Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
Micro-Seiki MAX-282 To»
Vitavox S2 Compression »
Sansui TU-X1 Tuner
More Leftovers »»