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» Puccini: Tosca
» The idiotism of Audio Sy»
» How to USE “Resonating O»
» A contemporary AD1 Triod»
» High-End Audio and..... »
» Some horn writing by Tho»
» Credibility of digital i»
» Greek Arcadian Audio new»
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» Amplification and Consci»
» THE Show, 2016
» The cut or not to cut, t»
» About the Critical Audio»
» Top Recordings of All Ti»
» The leather-suspended dr»
» Large Polystyrene Caps
» Tchaikovsky’s “Evgeny On»
» Magico: biological minde»
» How the things are getti»
» Fantasies about 10Y
» HD Radio? Good, bad or u»
» DSET and Cables.
» (monitor vs hifi speaker»
» The Kato-san's Goto »
» Lutoslawski Concerto for»
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» The A=432 Hz Frequency
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Rottenburger Museen
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki MAX-282 To»
Lamm Industries M1.1 Mo»
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Purist Audio Design Pro»
Korvet “Egg” Tonearm
Micro Seiki RX-5000
Lamm ML-2 Single-Ended »
Electro-Voice T350 twee»
Fane Studio 8 dual conc»
Rohde & Schwarz EU-6201»
Altec 515B bass drivers
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