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» Fun with transformers?
» The new FM Classical sce»
» The best “Die Fledermaus»
» The “better speakers” to»
» Long Range Acoustic Devi»
» The DSET perspective exa»
» Radio Stations Harmonize»
» Bruckner at 24bit.
» Chicago Lyric Opera on W»
» Wilson Audio and the Moo»
» Conchita Supervia
» The Verklarte Nacht with»
» MF on AF2, and (perhaps)»
» The ultimate buffer #2..»
» Time Alignment : Live Pe»
» Expectations in the conc»
» Some conical horns anti-»
» All Active! A DSET and m»
» The pianist Yuja Wang … »
» Audiophile Re-issues: Wh»
» TU-X1 setup
» A new CES 2010 loudspeak»
» The corrupted listening »
» How to make a speaker dr»
» Audio Note new turntable»
» Justification of Buying »
» Mravinsky/Leningrad from»
» How to mitigate the expe»
» DIY Firefly Horns
» Berlin Philharmonic Dire»
» Show Report PiS Fest
» Lamm ml2 voltage 110v to»
» Long time due: Digital P»
» About playback and messa»
» Playback journeys and Mu»
» Where are our good phono»
» The most appalling audio»
» Smyth Research Realiser »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Electro-Voice T350 twee»
ESS AMT-1A Heil Air Mot»
Lamm ML-2 Single-Ended »
Tribute Output Amorphou»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Hillock TV-2 tube tester
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