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» 6 Channel Version of Sup»
» Submerging deeper into A»
» BSO and 192kps
» Macondo Frame modificati»
» Reel-to-Reel Tape vs. Ra»
» LeCleach vs. tratrix and»
» Dreams about Audio
» Dick Burwens "low c»
» What are the effects of »
» Some Observations about »
» Entereing the "Desi»
» Klipsch Jubilee
» Superbly interesting eff»
» I am thinking about anim»
» Professional sound syste»
» Plugin for drawing segme»
» A quest for a better SET.
» “Zarathustra” amplifier:»
» There is no need to say »
» A Simple Question (or 3)»
» The Mercury "Rigole»
» The tools to listening s»
» FM and … cables…
» A true nature of audioph»
» Where high-end audio sta»
» Used car salesman as a d»
» New CubeAudio Tractrix H»
» A request to all members»
» Spivakov, NPoR Orchestra»
» Compression drivers saga
» Interview with Daniel We»
» The single-ended pretens»
» If you’re multiamping th»
» The new G.I.P speakers.
» 8" Goto Woofer for »
» Best recording I heard i»
» Ravel Piano Concerto No2
» Ultimate Turntable
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The Air This Week
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
Musatex’s Bidat Model "»
Electro-Voice T350 twee»
Altec 515B bass drivers
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
REL Precedent 646C tuner
Musatex-TP Bidat 20-Bi»
Tribute Output Amorphou»
SME M2 - 12" Tonearm wi»
Micro-Seiki air-suspend»
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