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» Coaxial design
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» If I were a High-End Aud»
» Configuration from Italy»
» Upperbass horns – tone v»
» Transition : Driver to t»
» 3012 silicon dumping
» A stunning contra-Bruckn»
» The pianist Yuja Wang … »
» Aporia - Silbatone Acous»
» 6C41C – the journey to n»
» Engaging the David Haign»
» UHF capable tweeters and»
» High-End Audio "sec»
» Haniwa Cybernetic Audio »
» Zeus 6C33C Triode SE Pre»
» More or less pleasure: w»
» Roger Waters' Ça Ir»
» Time alignment of drivers
» Output transformer for b»
» Schubert's Dancing Cats
» First order filtration a»
» The commercial music ser»
» Dynamic range in histori»
» Has anyone ever seen the»
» Memories of audio elemen»
» Swell New RIAA-Only Phon»
» My subject of envy to au»
» Sansui TU-X1 Broadcast m»
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» A request to all posters»
» Getting more from MF cha»
» Where the FM quality com»
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Neal's Recordings
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Vitavox AK151 15" bass »
Altec 515B bass drivers
Pacific Microsonics Mod»
Vitavox S2 Compression »
Korvet “Egg” Tonearm
Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
Micro-Seiki air-suspend»
Vitavox 330Hz Horn for »
LF Transformer for 6C33C
Ortofon Mono CG 25 Di c»
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