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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Beauty as I See It - Mus»
» Perspective?
» A horrible re-performanc»
» “They either adore me or»
» The best “Die Fledermaus»
» Sound is like a proverbi»
» Nice pair of S2s on eBay»
» About DSET-driven multi-»
» Audio critique – open yo»
» The not-so-big listening»
» A great article from Pet»
» Constant directivity = c»
» Recording/Playback softw»
» Do not over-damped your »
» Romy's Multi-cell Horns »
» If you’re multiamping th»
» Two-stages, hybrid, smal»
» Vitavox S2 coupling
» Worcester Music 2009-201»
» Some analysis of the Joe»
» The new FM Classical sce»
» Cobbett
» The best speaker in the »
» HELP: I’m a line-level l»
» Reel-to-Reel Tape vs. Ra»
» Next week in Metropolita»
» "Seamless extended »
» Reflex enclosures used a»
» Bose SoundDock Devil Mac»
» Seven phases in the life»
» Digital crossovers self-»
» Listening rooms and comp»
» Rullit Aero-8 driving – »
» Mendelssohn, Cello Sonat»
» A “pocket version” of Br»
» Upperbass horns – tone v»
» Eat your heart out, Mr. »
» What to read in audio?
Bookmarked are red
The Opera Critic
Great Hong Kong Blog
MusicWeb
Truesound Transfers
Radiotron Designers Hand»
Aria Database
Doremi CD label
BostonSymphony's Channel
Opera Collector Guide
ClassicalNet
Michelangeli Discography
Max Robinson’s “Fun With»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Altec 515B bass drivers
Electro-Voice T350 twee»
Hillock TV-2 tube tester
Purist Audio Design Pro»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
LF Transformer for 6C33C
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
Pacific Microsonics Mod»
Lamm ML-2 Single-Ended »
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