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Random Site's Threads
» Music and Arts' Spring.»
» Altec cabinet: 815a
» About beauty and uglines»
» Corresponding With Carlo»
» FM and … cables…
» An ultimate transformer »
» Benjamin Britten’s Violi»
» The 68 dipoles imitation»
» Mravinsky/Leningrad from»
» New old records shopping
» The tales of two phonost»
» Valve Technology Timeline
» Not new, but VERY intere»
» Audio-tekne's "Tone»
» Does horn surface porosi»
» Audio equipment recommen»
» My new favorite "Ne»
» Another problem in my ne»
» For one day only
» The Evolution (or Anti-E»
» Sonic consequences of re»
» About my listening habit»
» The Mozart’s Dorabella a»
» Some thoughts about bass»
» To drive the 6C33C...
» How to select mid/upper »
» Kalinnikov’s First Symph»
» The Truly High-End Ampli»
» Tube GU-29
» I think my Dynavector 10»
» The "NEW T.H.E Show»
» Trinnov amplitude and im»
» Upperbass horns – tone v»
» Bruckner, Wind and the w»
» Listening Pipe Organ Mus»
» About audio hoarding
» Lower cost horn loaded a»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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Composer's Anniversaries
Ceruti, Roque ( 1683 (168»
Soler, Padre Antonio (3 De»
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Cangemi, Gianluca (3 Decem»
My Audio Leftovers
Purist Audio Design Pro»
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
Vitavox 330Hz Horn for »
LF Transformer for 6C33C
Micro-Seiki Arm Board
Conscience of audio rev»
Tribute Output Amorphou»
Altec 515B bass drivers
More Leftovers »»