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» My (Amplification + Acou»
» A magnetic hybrid driver.
» The cPlay software.
» Audio-tekne's "Tone»
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» Making of a Steinway.
» Juana Zayas plays Chopin
» DAW drives configuration»
» JBL 2446
» Melquiadising other amp?
» RDANA - about banning no»
» The high-end audio, as i»
» Downloadable DSD.
» Metal domes
» Harmonies for Bosch’s Ga»
» Those experiences. Early»
» Perception of bass?
» Full range Melquiades im»
» Superior electric bindin»
» The nature of "soun»
» High End 2012 in Germany
» Here is my new tonearm.
» WE15a plans
» Drama vs. Chic
» Has anyone ever seen the»
» What are the effects of »
» How to organize files wi»
» The funny Internet audio»
» Jean Hiraga’s cooking of»
» New sample 24/96 downloa»
» I think about War lately.
» Where are our good phono»
» (monitor vs hifi speaker»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Vecchi, Orazio (6 December»
Buns, Benedictus ( 1642-6»
Pacini, Giovanni (17 Febru»
Godron, Hugo (22 November »
Klein, Gideon (6 December »
Brubeck, Dave (6 December »
Bondon, Jacques (6 Decembe»
Górecki, Henryk (6 De»
Svoboda, Tomas (6 December»
Violette, Andrew (6 Decemb»
Furrer, Beat (6 December 1»
Sheng, Bright (6 December »
My Audio Leftovers
LF Transformer for 6C33C
“Tree Blind Mice” colle»
Tribute Output Amorphou»
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Lamm Industries M1.1 Mo»
Lamm L2 Reference pream»
Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
Vitavox S2 Compression »
Micro-Seiki air-suspend»
More Leftovers »»