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End of Life Phonostage
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» A quests for an ultimate»
» Think how a playback com»
» Tchaikovsky Symphony #4
» It is time for you to de»
» UHF capable tweeters and»
» Shopping for DSD Convert»
» Belcea Quartet
» About Omnivorenes of Pla»
» High Quality Music Serve»
» Calamine Lotion From Tec»
» It is about timbres, stu»
» THe Audio Critic Magazine
» D'Agostino/Momentum SS M»
» Horns and digital crosso»
» Tweeters for Altec 420y »
» SET and speakers: disreg»
» The benefits of ultra hi»
» Puccini: Tosca
» The 6E5P tube data.
» Integrated sound field o»
» First Order on Bass chan»
» Natural Remedies for Sic»
» The UnipheyeMusic and St»
» The mystery of AmpX
» Foundation Standarts for»
» Patricia Kopatchinskaja »
» Deep End DIY - Austral»
» A good young conductor: »
» RIP, Joan Sutherland, &q»
» Impossibility of commerc»
» Aesthetix Rhea Signature»
» Canadian Speaker Proposal
» Power Supplym for driver»
» The Lavry Gold DA924 ++
» Discovered a great chora»
» A dive to Auro 3D
» How idiots destroy sound.
» Dpols?
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Polish GM70 Poject
The Soul of Sound
Takashi Asahina Group
33+45=78
Holger Klein's Soundpage»
ElecroVoice’s Vintage Pr»
Hermann Scherchen discog»
Phono EQ
Ward Marston's "Marston"»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The sound of Concert Halls 6340 
New York Times article from a few years ago 6340 
My Boston Symphony Hall sucks 6340 
Looking the part [of a good-sounding hall] 6340 
Digital reverberation 6340 
The RT-60 injection techniques 6340 
Digital reberberation - correction 6313 
A good overview of Boston Symphony Hall 6071 
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