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» The today’s take on Rach»
» Bad, bad, bad 1812 Overt»
» My new “New” listening r»
» Ortofon MC Anna cartridg»
» New Motor for an Old Sot»
» Munich 2017, Avantgarde »
» Stage Music: get clew.
» Living Voice Loudspeaker
» Equalizer? Hm…
» The fantastic Lucas Deba»
» Very in depth considerat»
» Klipsch Jubilee horn
» Rebel++ first blood, Amp»
» Recording options: Pacif»
» The Church of Denon 103C
» Outdoor horns
» Dpols?
» Vintage Altec drivers / »
» ... and some Bruckner bu»
» Boston and Liszt’s Secon»
» A right midbass solution»
» A use of extraordinarily»
» An Acquired Taste
» Every crowd has a silver»
» USB microscope for setti»
» Audiotism: cable elevato»
» The Truly High-End Ampli»
» Dual channel SET
» Analog: a reduction of s»
» (Whose) classical music.»
» Think ahead how to measu»
» Ca(r)t before the horse:»
» Avid Listener --- Stereo»
» His Master Voice’s Shade»
» Digital crossovers self-»
» Mid Bass horns help with»
» Macondo listening experi»
» Some Audiogon realty
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Japanese Super High Material CD 6356 
Translation of what they say 6355 
SHM-CD: does anyhow speaks Netherlandian? 6350 
Dutch 6345 
Re-mastering vs. Re-pressing 6345 
Remastered 6345 
Impressions from Japanese blog 6344 
The electricians might kill any good intentions. 6344 
Test planned 6344 
The SHM-CD vs. CD: how objective it might be? 6344 
Bit level comparison 6333 
The value of the bit level comparison? 6333 
Some more discussion on SHM-CD 6205 
It was not SHM-CD foramt but the people who produced the disk. 6205 
You'll never know 6205 
OK 6205 
Well, I din't like it 6204 
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