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» The "mystery&am»
» The Audio of 21 century:»
» Simpson Microphones thre»
» Gould's Piano
» MartinLogan Montis Speak»
» $350.000 of audio-script»
» Thoughs about “My Playba»
» Weber’s "Andante e »
» Time alignment of drivers
» K-Stereo Ambience Recove»
» We who are about to die.»
» A full-range driver = C»
» The great pianist Earl W»
» An air compressor and TT.
» More about the EdgarHorn»
» Boston Philharmonic Mahl»
» Lutoslawski’s Concerto f»
» My CES
» DA architecture: True M»
» The wonderful Alisa Weil»
» William Ralston Listenin»
» Hi-Fi Mini Systems
» The open project: a late»
» Silicone gel damping?
» Micro Seiki SZ-1T
» Lamm introduced LL1 Sign»
» Recording options: Pacif»
» The Bruckner 5 by Benjam»
» Expressive Technologies »
» Philadelphia Orchestra c»
» Tape Machines
» The Ralf Stegmueller’s h»
» 834p modding..."hum»
» Listening rooms and comp»
» NOhorn channel for “the »
» Bruckner integral
» Audio Covid and some hom»
» Nice pair of S2s on eBay»
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Art Songs and Librettos
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Appian Publications & Re»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The not-so-big listening room 6580 
Large rooms, small rooms.... 6580 
Death, taxes and small rooms 6580 
Finding and (starting to) deal with room energy. 6567 
Sails are sexy and intelligent ... a rare combination. 6567 
A "Beautiful-Sounding" Room 6566 
The artist's touch 6566 
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Micro-Seiki Arm Board
Tribute Output Amorphou»
Stage Acompany SA8535 d»
REL Precedent 646C tuner
Micro-Seiki air-suspend»
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“Tree Blind Mice” colle»
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