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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Zander's new Masterclass
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» A quantum CD?
» The Art of Pablo Casals,»
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» Yet another Gould box se»
» Clark Johnsen.
» Tannoy's Flagship by Jef»
» Is it the time to change»
» Calamine Lotion From Tec»
» I can't wait to read the»
» Copper Mat on a Micro Se»
» A lucidly implemented di»
» The Sakuma's Show
» About reviewer’s qualifi»
» Non-MDF horns
» Polish Autotech steps up»
» The Real Total Horn
» Abbado + Lucerne Festiva»
» The Truly High-End Ampli»
» It takes balls to shop (»
» Evaluation of tractrix c»
» Some horn writing by Tho»
» FM Acoustics
» Non-classical genius (st»
» Appearance of listening »
» Melq 6e5p driver stage f»
» Open cell foam in horns »
» A contemporary AD1 Triod»
» The DSET perspective exa»
» Dvorak Piano Quintet
» What would be left in au»
» The “better speakers” to»
» Problems with horns: mid»
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» About the ownership of a»
» Natural Remedies for Sic»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The dynamic range of our playback 6925 
It must at least appear to be multi-faceted 6925 
Dynamics are related to intensity 4406 
Dynamic "Relativity" 4405 
Most music avoids large dynamic swings 4405 
Dynamics is not just differences in acoustic output 4405 
Simply micro vs macro dynamics 4405 
Back to the root 4405 
Air fencing 4405 
Sum of Differences 4405 
Orchestral music hard to capture 4405 
Recording Dynamics 4405 
Hard to know 4405 
I think dynamics “as is” is a wrong quantification for audio. 4404 
Choose your illusion 4404 
1:1 4404 
Beg to differ 4404 
Begging now to agree 4404 
The thing with 78s 4404 
Comfort zone 4403 
Hhmmm 4403 
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