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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» It’s mad, mad, mad... e»
» Tchaikovsky’s “Pathetiqu»
» LF for use with Vitavox »
» Electrostatic Sub Horn
» Clark Johnsen.
» The African compression »
» A datacenter at home and»
» Better solution for bein»
» The Softer Side of a Har»
» Try something unusual an»
» High Quality Music Serve»
» Composers do not own mus»
» Does tube preamplifier V»
» 6C33C loading in Super M»
» A longer CD-Rom cable.
» True High-End Audio: Ant»
» About the ownership of a»
» My favorite video clips
» It looks like a simple q»
» Ways to use audio method»
» GoodSoundClub – one year»
» The mystery of reversed »
» Maxonic drivers from Jap»
» ... again on GOTO Unit d»
» Getting more from MF cha»
» Andre Previn in Boston.
» About my listening habit»
» The Full (fuller) Range »
» What drives good sound?
» What is wrong there and »
» Custom made woofers.
» Dick Burwens "low c»
» Why GOTO do not care abo»
» Too damn loud?
» Bartok piano works
» The beauty of Cannibalis»
» Rohde & Schwarz EU-6»
» A book about Loudspeaker»
Bookmarked are red
Virtuosos Discographies
Tchaikovsky-Research.
Radio-Locator
Opera Collector Guide
OperaGlass
Cedille Chicago
Takashi Asahina Group
Club Abbadiani Itineranti
Japanese's HiFiDo
Doremi CD label
The Bruckner Discography
Audiomisc
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Upperbass horns – tone vs. distance 5109 
There is no such a thing as optimal distance 5109 
Re 5109 
Integration distance 5107 
Imposable to generalize 5106 
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