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» Prom 22 - if only all or»
» My CES
» Haniwa Cybernetic Audio »
» Wagner and loudness.
» Electrovoice t350 repair»
» 'Fundamental rich' liste»
» Hässler sonata: Gra»
» BW Broadcast RBRX Encore»
» Back chamber
» “Get Better Sound” by Ji»
» Depicting and Visualizin»
» Don’t "use" VTA
» I wish I could speak Ger»
» Making musical instrumen»
» Looking for different So»
» A horn workshop
» Balance
» THe Audio Critic Magazine
» Bruckner and women
» The Macondo’s Upper Bass»
» Brahms' Magelone Songs
» Who has best sound in Hi»
» Amazon and MP3
» Single Ended Pentode to »
» Tolga Kashif's “The Quee»
» Do the Filament Transfor»
» S3 on tractrix 260 graph.
» Another interesting corr»
» Push pull compound compr»
» Tedeska Cartridges.
» Electro-Voice T350, T35,»
» Crossover or non-crossov»
» Patricia Kopatchinskaja »
» Aimez-vous Bartók?
» I would like to believe »
» The real goals of sound »
» I good spot-light for a »
» Do curved corners help???
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Johannes Brahms - Symphony No.4, Carlos Kleiber, Wiener Philharmoniker 5303 
Exit - in case of Brahms? 5303 
Not all of Brahms is 'lost in Nowhere-Land'... 5303 
The context 5303 
Up For Another Example? 5303 
They are the hell of sensations…. 5303 
Good inputs... 5302 
All of those Brahmasenian conversations... 5302 
Did anybody observe that Brahms comes with waves? 4829 
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