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End of Life Phonostage
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» Ultimate Tonearm
» Melquiades: too early fo»
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» An Acquired Taste
» How to play Mahler 7 at »
» Magico: biological minde»
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» RDH20 Frame double horn »
» Vincent Brient’s playbac»
» The essence of High-End »
» CD horn and JBL: Crossov»
» Speakers: a hi-fi disast»
» Remastering (and re-loca»
» Shopping for DSD Convert»
» An Afternoon with Gary K»
» “They either adore me or»
» My subject of envy to au»
» MBS Platinum ADC
» The CES 2005
» RCA driver made in China
» Rendezvous Mit Richard T»
» The "mystery&am»
» WGBH Opera Bash 2009
» Fun with transformers?
» Oistrakh(s) on Monitor M»
» This new midbass horn di»
» New set-up causing major»
» Problems with horns: twe»
» Silicone gel damping?
» Better DAW by a “second”»
» Macondo – Super Melquiad»
» Klipsch Jubilee
» Thoughts on midbass horn»
» Lavry vs Stahl -Tek
» Cessaro Gamma II and Ome»
» Yo-yo Ma live on the int»
» The Macondo’s Upper Bass»
» About audio Crashes.
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
AMR PH-77: just another phonostage or more? 5887 
A rare noble behavior from a manufacturer! 5887 
Finally, Features that Really Matter 5887 
Phonostages and noise. 5887 
The self-tunable auto-RIAA? 5883 
Narrowing It Down 5883 
The Practical Applications, Already... 5874 
The PH-77’s curves selector is done properly. 5874 
The Right Kind of Shaping 5873 
Taking a Few for the Team 5873 
My views about PH-77 phonostage 5873 
Oh, yeah... the sound of the Thing Itself... 5873 
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