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» The leather-suspended dr»
» Cessaro Gamma II and Ome»
» Story of my discovery - »
» 47 Lab new turntable and»
» The Audio of 21 century:»
» The 5-ways from Germany.
» The "artificially&q»
» More Gieseking!
» DAW is down… new DAW.
» Rightsizing from extreme»
» The FM Radio. What a Hel»
» The last message of audi»
» Purist Audio Design vs. »
» A discussion about the a»
» Where are our good phono»
» The open project: a late»
» About audio Crashes.
» Joël Durand Intervi»
» Bach and Rain
» Adding one more spherica»
» Expensive Audiophilism a»
» CES 2006
» Attempt of a playback sy»
» About “strangeness” of A»
» About bass horns by Joha»
» Equalizer? Hm…
» Kenwood L-02T and the hy»
» Philosophical approach t»
» Abbado + Lucerne Festiva»
» Sound is like a proverbi»
» A playback and wrong not»
» An air compressor and TT.
» To Rip or not to Rip.
» Trading cable elevators »
» Chesky Records went &quo»
» Tightening to loosening »
» D'Agostino/Momentum SS M»
» Another (outdoorsy) swea»
Bookmarked are red
Decca Classical discogra»
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Lenard's Opals monitor
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Korvet “Egg” Tonearm
Musatex-TP Bidat 20-Bi»
Purist Audio Design Pro»
Micro-Seiki Arm Board
Musatex’s Bidat Model "»
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
“Tree Blind Mice” colle»
Kenwood L-02T FM Tuner
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
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