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My current conductor obs»
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A great OPT resource page
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The “Inverted High End A»
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About Moronism in Audio
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I hate, hate, hate, hate»
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Mysterious Russian Tromb»
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World's First Concrete R»
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Tokyo Opera City Concert»
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Hemp SR plug and listeni»
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Michelin horns
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Worcester Music 2009-201»
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Planning my DSET
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Good midbass is complica»
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A minor Audio depression»
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Archimago's Musings talk»
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High Pass Inductors
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Ultimate MF compression »
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Think Denk and op.106
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The Deutsches Requiem of»
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Accidental death music.
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Oliver Sacks' "Musi»
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It was seventy years ago»
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Etheraudio's some BS….
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I wonder if this crap is»
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Mid Bass horns help with»
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Steve Leung, Cartridge W»
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Best streaming service 2»
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My feelings about new ex»
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Micro seiki SX-8000 Air »
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Evaluation of tractrix c»
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Which SME 3009?
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Walter conducting Vienna»
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Lavry vs Stahl -Tek
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Ultimate Tonearm
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Faberryman and the CES 2»
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Why second tonearm/cartr»
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Macondo vs Dannoy = Esse»
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Trading cable elevators »
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
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Magdalene Ho, pianis»
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Takács Quartet in Gr»
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Jordi Savall & Hespè»
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In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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Milford, Robin (22 January»
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My Audio Leftovers
Vitavox AK151 15" bass »
Tribute Output Amorphou»
Electro-Voice T350 twee»
Rohde & Schwarz EU-6201»
“Tree Blind Mice” colle»
Korvet “Egg” Tonearm
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