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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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Random Site's Threads
» A slightly crazy idea fo»
» Swing hornspeaker of bd-»
» 100V vs 120V
» ULF: where is the border»
» Melquiades (D-Set) parts»
» Some Horns propaganda
» The WHRB’s Rimsky-Korsak»
» After-concert download –»
» Overlooked Cello Reperto»
» Large La or Tratrix horn»
» RAAL Dipole Ribbon Tweet»
» RIAA pole two = 501,12 Hz
» A quest for a better mon»
» Satisfying result: the R»
» Designing and building a»
» Can a ultimate playback »
» Avantgarde Trio G3 Louds»
» Hammond?
» My first audio show. Hmm»
» The new “little things” »
» Assemble it yourself?
» Mercury Living Presence »
» Stop buying the records »
» Time Alignment : Live Pe»
» Making musical instrumen»
» Nice collection of Artic»
» Music and Arts' Spring.»
» John Luther Adams's Beco»
» What is the difference b»
» Use absolute polarity as»
» DBT - a signature of lis»
» A book about Loudspeaker»
» Interesting use of Lunda»
» A fresh take on 9th by t»
» Patricia Kopatchinskaja »
» Bruckner and women
» The Mozart’s Dorabella a»
» Joseph Haydn, Six Esterh»
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Russian Music in 20th Ce»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Composer's Anniversaries
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Escher, Rudolf (8 January »
Lees, Benjamin (8 January »
Starer, Robert (8 January »
Moran, Robert (8 January 1»
Sprague, Frank (8 January »
My Audio Leftovers
Altec 808A compression »
Musatex-TP Bidat 20-Bi»
Conscience of audio rev»
Kenwood L-02T FM Tuner
“Tree Blind Mice” colle»
Musatex’s Bidat Model "»
ESS AMT-1A Heil Air Mot»
Micro-Seiki Arm Board
SME M2 - 12" Tonearm wi»
Fane Studio 8 dual conc»
Mid-range tantrix round»
More Leftovers »»