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» About cost of electromag»
» A[nother] Cautionary Tal»
» About Darwinism of Music»
» Monophonic bass: myth an»
» Winter storm & Casals
» So, What's the Story on »
» JBL 2446
» The tales of two phonost»
» Experience Music Horn In»
» "Consensus in audio»
» Rightsizing from extreme»
» Two channels (tweeter an»
» Buzz/Kill, and The Most »
» Worcester Music 2009-201»
» Vintage JBL products lin»
» The best practices for D»
» The sound compromises of»
» Playback as an expressiv»
» Gershwin's Rhapsody in B»
» JBL LE8
» Meitner Audio - Ed Meitn»
» Micro Seiki, tonearm,car»
» Conductors and Audio Sou»
» Ever thought about how m»
» Single Ended Triode dist»
» Holly Proscenium idiocy!
» Pono & Meridian - an»
» When the stars aligned.
» Speakers: a hi-fi disast»
» Small double bass horn f»
» The not-so-big listening»
» DSET and Cables.
» The iHorn - a passive a»
» Audio Covid and some hom»
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» In Praise of Infidelity »
» Are You On the Road to A»
» How High-End Audio can b»
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Berkshire Record Outlet
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Michelangeli Discography
Thomas Dunker's Site
Hi-Fi Speakers Design
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Charpentier, Gustave (25 J»
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Zeisl, Eric(h) (18 May 190»
Darvas, Gábor (18 Jan»
van de Woestijne, David (1»
Nobre de Almeida, Marlos (»
Shields, Alice (18 Februar»
My Audio Leftovers
Sansui TU-X1 Tuner
Altec 808A compression »
Purist Audio Design Pro»
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
Altec 515B bass drivers
Vitavox 330Hz Horn for »
Pacific Microsonics Mod»
Rohde & Schwarz MSDC Mu»
Ortofon Mono CG 25 Di c»
More Leftovers »»