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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The irony of playback ph»
» Professional sound syste»
» Atkinson vs. Tektronix: »
» Two-stages, hybrid, smal»
» Ortofon MC Anna cartridg»
» Altec A2
» How to manage the digita»
» About the undeveloped au»
» RIAA pole two = 501,12 Hz
» National Youth Orchestra»
» Faital compression drive»
» Two channels (tweeter an»
» Is it the time to change»
» Another problem in my ne»
» Cooperation for the comm»
» There is no need to say »
» High-End Audio and..... »
» My beloved Contraltos: k»
» Multi-amping crossoverin»
» High-End Audio as going »
» Deep End DIY - Austral»
» Don Quixote BSO Live tod»
» My CES
» Horn high-sensitively ar»
» “Get Better Sound” by Ji»
» Van den Hul famous FAQ c»
» Shelter 901iii or 90c ca»
» Platine Verdier Magnum
» Brahms [piano] Concerto »
» Wilson Audio Setup Proce»
» Classical Music for the »
» Prokofiev's cantata
» In Praise of Infidelity »
» The Yevgeny Mravinsky Fi»
» Macondo and ALE drivers,»
» How to play Bruckner Sou»
» Lutoslawski Concerto for»
» A discussion about the a»
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Irvington Music
Altec divers/horns
Linkwitz's "Laboratory"
Great Hong Kong Blog
Value of Records Tool
Piano Wizard
Overgrown Path
Classical Composers
Good-Music-Guide
Tempo-Electric - Arthur »
Tin Lee Electronics
Paul's Antenna Attic
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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