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Site News: 17 May 2026
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Listening to Music with »
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How does it sound?
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A passive but elegant pr»
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The 3 things that audio »
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DSET and Cables.
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The Hand Clapping by Fra»
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The strings period: the »
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The Verklarte Nacht with»
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The absolutely “best” ma»
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Denouncing of idea of Ba»
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Justification of Buying »
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An Afternoon with Gary K»
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I'm omnivorous... am I i»
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It is all about hard sur»
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Tannoy Red or Gold monit»
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Big mama 1.5" horns»
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Lamm hybrids: M1.2 vs. L»
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Wywires – “Custom” desig»
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Does horn surface porosi»
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Fun with transformers?
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Dpols?
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Harmonies for Bosch’s Ga»
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Micro Seiki SX777 Air Re»
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My today’s views on LP c»
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Bid Midbass Asian Horns
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Why I hate HornResp.
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Live memories of Live br»
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Tchaikovsky’s “Evgeny On»
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DSET phoned home?
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Esther Kim. What did you»
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Walter conducting Vienna»
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New Lynx A/D and D/A pro»
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Classical events in Boston
AUG 1
BU Tanglewood Instit»
AUG 1
Danish String Quarte»
AUG 1
Light & Shade in Var»
AUG 1
Mozart: The Marriage»
AUG 1
Esa-Pekka Salonen, c»
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BU Tanglewood Instit»
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Andris Nelsons, cond»
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Callisto Quartet in »
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Dupré, Marcel (3 May »
Brenta, Gaston (10 June 19»
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Korndorf, Nicolai S. (23 J»
Aktug, Mehmet (30 May 1959»
My Audio Leftovers
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
Tribute Output Amorphou»
Altec 515B bass drivers
Mid-range tantrix round»
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Fane Studio 8 dual conc»
“Tree Blind Mice” colle»
CEC TL-0 MK2 transport
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