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» How to select mid/upper »
» Future of high-end audio
» The “theories” about the»
» Bose audio and industry »
» The low-power SET and de»
» Analog Transfer: the fir»
» Another (outdoorsy) swea»
» SET and speakers: disreg»
» Andre Previn in Boston.
» George Orwell and loudsp»
» New Shalin Liu Performan»
» Moscode, Morecode, Moron»
» New paradigm - what an &»
» European Triode Festival»
» Getting more power from »
» Rebel++ first blood, Amp»
» Starting from scratch - »
» Compression drivers and »
» A Simple Question (or 3)»
» Really Expensive DACs?
» Japanese Super High Mate»
» Avantgarde method of cap»
» Low output MC?
» Choosing Someone to Refu»
» Altec Model 19 in Boston.
» Macondo’s Midbass Projec»
» A Moscow setup with Horn»
» The short "6C33C Su»
» Interesting diffuser sof»
» Shock-absorbing tube soc»
» The BEST bass cable?
» Creative listening
» 2012 Decca records from »
» The Milq’s power supplie»
» Suggestion on my introdu»
» Cmpare them
» The Herbert von Karajan’»
» Dynamic range in histori»
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Clemens Krauss Archive
Classical Recordings New»
Toccata Classics
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Plasma Tweeters Site
Classical Music Network
Good-Music-Guide
MetManiac Opera Archive
Ward Marston's "Marston"»
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Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
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Electro-Voice T350 twee»
CEC TL-0 MK2 transport
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Micro-Seiki Arm Board
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