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» Gould's Piano
» His Master Voice’s Shade»
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» Harmonies for Bosch’s Ga»
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» About beauty and uglines»
» Chopin's Waltzes, Witold»
» High-End Audio and.... &»
» The last phonocorrector:»
» Sansui AU-X1 bomb...
» It looks like Brits will»
» The Andrew Rose’s “Prist»
» Do not touch that used t»
» The African compression »
» Think Denk and op.106
» “Get Better Sound” by Ji»
» A turntable platter as a»
» Dual channel SET
» Hiroyasu Kondo: “My thou»
» In appreciation of Koshka
» The mono cartridges para»
» Use absolute polarity as»
» Multiple Tracks, Each On»
» Rod Poole 1962-2007
» SET and speakers: disreg»
» Archimago's Musings talk»
» Brahms, "Liebeslied»
» Swell New RIAA-Only Phon»
» Nice pair of S2s on eBay»
» Sonic consequences of re»
» RAAL “Water Drop” tweete»
» Digital recorders: what »
» Russian variant amplifier
» Resonating hi from overs»
» Arranging my records col»
» A Frankenstein Macondo -»
» Live memories of Live br»
» Recapping RX5000
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Former Sirkorski Site
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Adnan Arduman's site.
Lied and Art Songs
The Well Tempered Comput»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
LF Transformer for 6C33C
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
Hillock TV-2 tube tester
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Purist Audio Design Pro»
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Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
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