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» Compression drivers and »
» Performance of a week.
» The high-end audio, as i»
» A better way of approach»
» The IDEAL horn system
» How many Bits needed for»
» Ultimate Tonearm
» WGBH Opera Bash 2009
» SME M2
» Cellist Daniel Müll»
» MET Broadcast, season 20»
» Gas voltage reference 0A»
» 6C33C myths: audio Moron»
» Tosca, Aida, Madama Butt»
» Do not touch that used t»
» Think ahead how to measu»
» Not just another leather»
» Faberryman and the CES 2»
» The WHRB Wagner’s Ring C»
» Faital compression drive»
» Antenna solutions for FM
» Copland/BSO/Copland
» An Acquired Taste
» Macondo listening experi»
» Active Tonearm Monitorin»
» About Wilson Audio Louds»
» New superlative horn bui»
» Purist Audio Design vs. »
» Audio Quality Matters in»
» A Cardboard Effect.
» “Harmonic Speed”- friend»
» Nanse Gum and his Euro-A»
» Listening rooms and comp»
» Do curved corners help???
» Has anyone built the DIY»
» Fake Vitavox S2 diaphrag»
» 100V vs 120V
» Open cell foam in horns »
Bookmarked are red
Elliott Sound Products
Archives of Canada
Audio Perfectionist
Martha Argerich Site
Plasma Tweeters Site
OperaGlass
Takashi Asahina Group
ECC99 - 6C33C SET
Avie Records
NPR's SymphonyCast
Doremi CD label
Retro hi-fi blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
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Koetsu Onyx Platinum Ca»
Korvet “Egg” Tonearm
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Micro-Seiki MAX-282 To»
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Altec 515B bass drivers
CEC TL-0 MK2 transport
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