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» Celebrating Anton Bruckn»
» A lucidly implemented di»
» Trash your “full-rage”, »
» High Pass Inductors
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» How to manage the digita»
» The “guest musician opin»
» The WHRB’s Rimsky-Korsak»
» A Scratched Horn.
» MDTunes™ from SoundLab l»
» How to make a playback t»
» Designing and building a»
» A Frankenstein Macondo -»
» Audio and the “Alzheimer»
» Playing third cartridge »
» About Audio and Cooking »
» Philadelphia Orchestra c»
» A world class deaf percu»
» WE15a plans
» Rachmaninoff, PC 3; Kond»
» The best album of 2005 s»
» Horn length/expansion/gr»
» All Active! A DSET and m»
» Thoughs about “My Playba»
» A slightly crazy idea fo»
» About destiny of “High-E»
» Lamm L1 vs. L2 preamp
» Woman conductor?
» Crossover Design
» High-End Audio: buy vs. »
» New here
» Easy Bruckner for Beginn»
» The Norman Lebrecht’s ar»
» Ultimate Tonearm
» REL Precedent Tuner - An»
» 5-ways from Speedysteve7
» The Dark Hope of Renee F»
» Kloss 5-way horns setup.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm L2 Reference pream»
Altec 515B bass drivers
Musatex’s Bidat Model "»
Vitavox AK-15/40 15" ba»
Fane Studio 8 dual conc»
Micro-Seiki air-suspend»
Vitavox 330Hz Horn for »
Kenwood L-02T FM Tuner
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Rohde & Schwarz MSDC Mu»
Sansui TU-X1 Tuner
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