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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Van den Hul famous FAQ c»
» The Free Intent Audio Jo»
» “Get Better Sound” by Ji»
» Playback and Perception »
» 47 Lab Digital
» The most emblematic reco»
» Starting from scratch - »
» The Lieberson’s Neruda S»
» Yamamura's 6 ways
» Smyth Research Realiser »
» Ultimate Tonearm
» Pop-music as a side-disc»
» Macondo Frame modificati»
» Appearance of listening »
» Tonearms criterias??
» Input choke for Low Curr»
» New Sonus Faber
» Polarity Tester – a must»
» Klipsch Jubilee
» More about the EdgarHorn»
» RDANA - about banning no»
» The "NEW T.H.E Show»
» Walter conducting Vienna»
» Atkinson vs. Tektronix: »
» Janine Jansen
» What drives good sound?
» Mysterious Russian Tromb»
» Midbass injection channel
» Dunlavy SC++ loudspeaker»
» Initial thoughts about n»
» How does it sound?
» New here
» Micro SX8000I: noisy pum»
» The wonder of Ayre Acous»
» Stage Music: get clew.
» Cellist Daniel Müll»
» Van den Hul famous FAQ c»
» Audio system: my path to»
Bookmarked are red
Opera Collector Guide
MusicWeb
Direct Drive TT
Western Electric manuals
Thunderstone Audio Websi»
Composers Forum
The Handelmania Podcast
Jammin' Jersey
ElecroVoice’s Vintage Pr»
GS Tube
Decca Classical discogra»
The Music Parlour.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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de Groot, Jan Rokus (6 May»
Stage Acompany SA8535 d»
Mid-range tantrix round»
LF Transformer for 6C33C
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz EU-6201»
Micro-Seiki Arm Board
Electro-Voice T350 twee»
Ortofon Mono CG 25 Di c»
Lamm Industries M1.1 Mo»
Lamm ML-2 Single-Ended »
Altec 515B bass drivers
More Leftovers »»