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» Sansui TU-X1 Broadcast m»
» The “Inverted High End A»
» A great conductor - but »
» Woman conductor?
» George Orwell and loudsp»
» How many channels does a»
» Records Box Stuffing
» The benefits of ultra hi»
» Copyright protection for»
» To Rip or not to Rip.
» Sansui AU-X1 bomb...
» Professional sound syste»
» The Saudi Arabia and Uni»
» CEC TL0-X: by no means a»
» Playing music for visito»
» Hans Vonk Legacy
» Large La or Tratrix horn»
» The John Barbirolli’s wi»
» Avantgarde Trio, Roy Gre»
» Shall quality-price be r»
» Vitavox’s S2 Survival Gu»
» VTL TL-7.5 Reference: Hi»
» There is Bruckner and th»
» New bottlehead dac
» High End speakers Evolut»
» Kitties go to London
» Russian variant amplifier
» My playback’s sound vs. »
» An Acquired Taste
» A synonym of audio revie»
» Copland/BSO/Copland
» Why GOTO do not care abo»
» SET and speakers: disreg»
» Turntable Design
» SET and speakers: disreg»
» A car with vacuum tube..»
» What is the difference b»
» Course & guide on ho»
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Nornan Lebrecht's blog
Solid State Electronics
WGBH alumni
Archives of Canada
Conductor’s Corner
Volvotreter Homepage
Classical Recordings New»
Electron Tube Data sheets
Subito-Cantabile
Musical Musings
Greg Sando’s Site
Jogis Röhrenbude's Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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