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» New speaker system
» The cut or not to cut, t»
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» Looking to brainstorm st»
» Pacific Microsonics Mode»
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» Better chassis design fo»
» Making of a Steinway.
» Macondo’s MiniMe or abou»
» A Simple Question (or 3)»
» Der Ring Des Nibelungen »
» Bach by Ormandy’s Philad»
» Relief from micro-arcing»
» Here is my new tonearm.
» Deficiency of sensible a»
» A subwoofer of death, no»
» About reviewer’s qualifi»
» What you folks got for B»
» Mahler 3 and BPO.
» Integrated sound field o»
» The K&K SE hybrid ph»
» The real goals of sound »
» FM and live real-time br»
» Two channels (tweeter an»
» Gardzienice "Metamo»
» "New" TechDas »
» Horn Enclosures & &q»
» Dvorak Cello Concerto in»
» Alternative driver for W»
» Cobbett
» SME M2-12 tonearm
» Acoustic Treatments That»
» About the thoughtfulness»
» The BSO and Digital Musi»
» How Piazzolla should sou»
» To play my 88/24 files o»
» How to play Bruckner Sou»
» High-End Audio amplifier»
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Mid-range tantrix round»
Stage Acompany SA8535 d»
Micro-Seiki MAX-282 To»
Hillock TV-2 tube tester
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REL Precedent 646C tuner
“Tree Blind Mice” colle»
Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
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