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Audio Knowledge Tree ™
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» The Truly High-End Ampli»
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» So, What's the Story on »
» Why I hate computer play»
» Coaxial design
» What are the effects of »
» Le C'leach horn rear cha»
» JMLC horns profile?
» The "non-winner&quo»
» The High Resolution PCM »
» How to listen High-End A»
» Those experiences. Early»
» Mastodont DIY Rack: Wall»
» Motion Picture Sound
» SPUnisation of Macondo: »
» Some kinky goodies from »
» It's might be anothe»
» How would you handle it?
» Hmmm... the sad truth ab»
» Horn length/expansion/gr»
» Lecture on history of ar»
» Electrostatic tweeter fo»
» Clark Johnsen.
» Yep, Bach would do it….
» DIY Void acoustics Air m»
» D'Agostino/Momentum SS M»
» CDs organisation methodo»
» Fostex tweeters, Lowther»
» The Engström & »
» The “Dead Points of Live»
» A perfect "High-End»
» Just-Sound of Audio vs. »
» It is all about hard sur»
» Alicia De Larrocha, Bach»
» Chopin's Waltzes, Witold»
» Kevin Puts, American Com»
» TU-X1 setup
» A quote from a Japanese »
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The Cartridge Database
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Aria Database
NPR's SymphonyCast
Max Robinson’s “Fun With»
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Instant Encore
Michelangeli Discography
Glenn Gould Audio Archiv»
Great Hong Kong Blog
Vladimir Lamm Site
Tin Lee Electronics
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
“Tree Blind Mice” colle»
Vitavox AK-15/40 15" ba»
Korvet “Egg” Tonearm
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Pacific Microsonics Mod»
Sansui TU-X1 Tuner
Musatex-TP Bidat 20-Bi»
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