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» Like colourful contrasts»
» Audio industry metaphor
» Bruckner at 24bit.
» Constructing LF modules »
» Balanchine’s “Pathetique”
» Alessandro Baricco's &qu»
» Prices in High-End Audio.
» Direct to Disc: The Brah»
» An interesting TT link: »
» Building On "Accide»
» A Good Tchaikovsky PC 1?
» Rod Poole 1962-2007
» What, no Mahler?
» New CubeAudio Tractrix H»
» Don't evaluate audio by »
» Buying cds and records i»
» Audio Cost
» Building a new music room
» DIY multicellular horn
» Hideous American operas.
» Apple helped kill FM...a»
» 100V vs 120V
» Forward in the past with»
» Eventually - a reasonabl»
» The ultimate cancer of a»
» How Mussorgsky should so»
» Observations and Thought»
» The 5-ways from Germany.
» Pacific Microsonics Mode»
» What is wrong there and »
» Dvorak Piano Quintet
» About audio sales and h»
» Jaap van Zweden kicks as»
» An objective tool to tra»
» Mstislav Rostropovich Di»
» The mystery of Koetsu On»
» "New" TechDas »
» Mahler 3 and BPO.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Haniwa Cybernetic Audio System 6680 
Maxwell Maltz's LOUDspeakers 6680 
The typical audio literature… 6680 
They will still offer so called "big sound "... 6680 
Haniwa 6679 
So what? 6679 
So nothing 6679 
I heard them 6668 
Haniwa and TADs 6668 
"If the waveform is wrong, the sound is wrong..." 6668 
Violent "compression"? 6667 
It is not “compression” it is system builder's stupidity. 6666 
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