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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The New York Philharmoni»
» Analog is Back 2011: Wav»
» RMAF06 Show Report
» Wilson Audio Setup Proce»
» Beware of the "dipo»
» Why I do not like the &q»
» A request to all posters»
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» The “Melquíades” d&»
» Lavry vs Stahl -Tek
» Long Range Acoustic Devi»
» Audio Tekne driver align»
» K-Stereo Ambience Recove»
» DHT driver & input
» RIP Henryk Mikolaj G»
» It's might be anothe»
» Today's best turntables »
» Dedicated Music Room Bui»
» Zeus 6C33C Triode SE Pre»
» The optimum Sampling Rat»
» An angry engineer...
» Richard Wetz and Martin »
» What is the difference b»
» A different type of uppe»
» A true nature of audioph»
» Volti Audio's Vittora
» Johannes Brahms - Sympho»
» About the tweeters phase»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7145 
Selfdenial as Audio Tower of Babble? 7142 
Musical Messages 7142 
The Sound of Music by and for musicians 7142 
The Original Sound 7141 
Audio, visual art and Cesar salad. 7141 
Relative Contrast 7141 
aura of art 7141 
Why, why Abstract Audio? 7141 
Re: Relative Contrast 7141 
"Differences" versus "contrast" 7141 
I would shade some light about “abstract audio” 7140 
Color Theory 101 7140 
a healthy divide 7139 
Further musings on JD's ideas above. 7139 
not to be too picky, but it might be important 7136 
Let's put a positive, festive note to this 7136 
Sure why not! + optical ideas 7135 
Color hearing and foreign languages... 7135 
what's the problem. 7120 
one itsy bitsy clarification 7120 
Feline's consciousness.... 7120 
so 7120 
Repeatability is a key difference for music and SOUND 1932 
Changes With Consistency as a Backdrop 1932 
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