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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Tokyo Opera City Concert»
» Making musical instrumen»
» Expectations in the conc»
» The ridicules naming of »
» 6 Channel Version of Sup»
» Lavry vs Stahl -Tek
» Transparent horns
» Suggested target curves »
» Beware of the "dipo»
» The elusive “absolute to»
» Why the tubes shall be t»
» Why Hight-End Audio, as »
» RIP Henryk Mikolaj G»
» Contact-free volume cont»
» Short midbass horns
» Measuring reality: empir»
» Panel with Peter Qvortru»
» Has anyone ever seen the»
» About Darwinism of Music»
» And a Bruckner 8 the day»
» Emmerich Kalman (1882-19»
» Community M4
» How to make musicians to»
» Who has best sound in Hi»
» The Color of Bass
» "New" TechDas »
» The ultimate cancer of a»
» High-End Audio "sec»
» Bruckner 9, Transcriptio»
» The “sounds” that I am l»
» Furtwangler War Years Re»
» Another problem in my ne»
» Schubert's Dancing Cats
» What is the buzz: the V-»
» Radiation patterns match»
» Julia Fischer in Boston »
» “Get Better Sound” by Ji»
» Matching audio to music:»
Bookmarked are red
Audiomisc
GedLee loudspeakers
Daniels Audio
Willem Mengelberg discog»
Club Abbadiani Itineranti
Linkwitz's "Laboratory"
ElecroVoice’s Vintage Pr»
Tubecad publication
Boston Philharmonic Orch»
Exponential/Hyperbolic C»
Art Songs and Librettos
WGBH alumni
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Bruckner 8, WDR and Manfred Honeck 2100 
A "good week" for Bruckner fans, a new Bruckner cycle by the VPO, and a survey of Bruckner symphonies' cycles 2096 
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