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Random Site's Threads
» The iHorn - a passive a»
» A quest for a better mon»
» Tanglewood Music Center »
» 4-way horn system Prelude
» Fidelity Research FR-7
» The new CEC TL1 transpor»
» Outdoor horns
» The Saudi Arabia and Uni»
» Western Electric reprodu»
» The Church of Denon 103C
» Off-the-wall playback or»
» Bach Piano Concertos, 1,»
» The Norman Lebrecht’s ar»
» Buzz/Kill, and The Most »
» Dinsdale Horn Design Art»
» Midbass Horns and Real E»
» Miniumum sample rate for»
» How to make a speaker dr»
» Fostex tweeters, Lowther»
» RMAF06 Show Report
» The open project: a late»
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» His Master Voice’s Shade»
» The invisible sound barr»
» About Harry Pearson lega»
» Samuel Feinberg's Well-T»
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» Good commercial speakers
» Purist Audio Design vs. »
» Fuck you, the Shunyata's»
» We don’t necessarily kno»
» About the ownership of a»
» William Ralston Listenin»
» The industry-embraced au»
» Oistrakh(s) on Monitor M»
» High Pass Inductors
» High End 2012 in Germany
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Audio vs. Musical pitch 4740 
The Narative, or The Thread, and Relative Pitch 4740 
Some Sunday morning thoughts… 4738 
Audio science 4738 
Audio vs. sound vs. scale 4735 
Single drivers?? 4735 
6 Trumpets 4735 
Some midweek morning stimulation… 4735 
Weakness and tuning 4735 
Precisely Wrong 4735 
Blow the trumpet up (or at least the overtones?)? 4735 
Put That Way 4735 
Micro linearity 4734 
Unfortunately there is no "linearity" in music 4732 
Micro 4732 
Partially explained 4330 
All scale notes are overtones 4330 
Micro vs. Macro linearity: definition? 4329 
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My Audio Leftovers
Hillock TV-2 tube tester
SME M2 - 12" Tonearm wi»
Micro-Seiki MAX-282 To»
ESS AMT-1A Heil Air Mot»
Vitavox AK-15/40 15" ba»
Stage Acompany SA8535 d»
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Ortofon Mono CG 25 Di c»
Lamm L2 Reference pream»
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